In Italy, the family remains a central pillar of society. Small, independent family-owned businesses continue to prosper, and nowhere is this more so than in the wine sector.
Although the Italian wine and the Scotch whisky industry are of comparable value (approx €5 billion and £6 billion respectively), the patterns of ownership couldn't be more different. Despite what the marketing men may tell you, few Scotch whisky distilleries can claim anything remotely close to family ownership. In fact, only a quarter of Scotch whisky production is owned by Scottish companies and approximately 55% of all whiskies sold worldwide are produced by just two companies, Diageo and Chivas Brothers.
In Italy, even production giants like Veneto-based Zonin, which produces 40 million bottles a year, and the Santa Margherita wine group, the producer behind the Pinto Grigio phenomenon, are family-owned, passing from one generation to the next. In fact, the Italian wine industry, as I discovered time and time again at #vinitaly2019, is still very much a family affair.
Here are some notes on just a few of the family-owned wine producers I met this year.
The Vinum, Il Rosso (bio), Montepulciano D'Abruzzo, D.O.C
The Vinum is a family-owned and run winery that pairs high quality production values with respect for the environment. Using sustainable farming techniques and the latest winemaking technology, the company has vineyards in three of Italy's most renowned wine-making regions - Tuscany, Abruzzo and Piemonte. The organic "Il Rosso" comes from the Nocciano vineyards in the province of Pescara in the region of Abruzzo. Harvested by hand at the end of the September, the best grapes are selected and fermented for 10-15 days before ageing for 6 months in stainless steel tanks, then spend a further 3 months in the bottle.
An intense and lively ruby red, with hints of cherry, cinnamon, liquorice and raspberry, Il Rosso is well-balanced with soft tannins typical of the denomination. Perfect with an Easter Sunday rack of lamb.
Cantina Dolcevera di Marco Benedetti di Villa (VR), Amarone della Valpolicella 2015
Closer to home for this Amarone, the work of exciting young wine producer Marco Benedetti. His vineyards, which he took over at the age of just 25, are located in the town of Villa di Negrar, not far from Verona, in the heart of the famous Valpolicella region. Wine production is in Marco's DNA, and he inherited his passion for wine-making from his father.
The Amarone DolceVera 2015 is made from 50% Corvina, 25% Corvinone, 15% Rondinella grape and 10% from other grape varieties. All of them are native vines cultivated in the town of Villa di Negrar, at an altitude between 260 and 280 metres. The best grapes are harvested in late September and early October. They are then dried on straw mats for about 3 months, during which they lose about 40% of their weight. The grapes are then crushed and de-stemmed, the fermentation takes place in steel tanks at a controlled temperature of 24°C and the maceration on the skins lasts approximately 30 days. The Amarone is then refined in barrels of 7,5 ht and then transferred into larger barrels of French and Slavonian oak for a period of 36 months in a small cellar built near the main vineyard at Villa di Negrar.
The wine is an intense ruby red with glints of violet. Complex and varied on the nose, with hints of cherry, spices, vanilla, coffee and pepper in the palate. A refreshing minty finish, warm, intense and persistent. At 16%, this is a velvety smooth, full-bodied classy Amarone.
Cantina Chiara Condello di Predappio (FC) Romagna Sangiovese Predappio Riserva - Le Lucciole
Chiara Condello is another exciting young wine-producer who inherited her family's passion for wine-making (her father, Francesco Condello, owns the Condè winery). Chiara, graduated in Economics from the Luigi Bocconi University in Milan before completing a Masters in International Management. She began working at Condé in the summer of 2012 where she was involved in every aspect of the family business.
Chiara's own vineyard is located in the heart of the Predappio hills, the notorious birthplace of Benito Mussolini, in the region of Emilia-Romagna. Her vineyard embraces organic principles of viticulture and favours traditional hands-on production techniques.
Le Lucciole, which means The Fireflies, is produced using 100% Sangiovese grapes which are harvested by hand and then aged in Slavonian oak. A dark almost impenetrable red, on the nose, Le Lucciole is rich, intense and earthy, with notes of ripe fruit. An explosion of rich fruit in the mouth,, well-bodied and strong. Perfect to wash down a classic steak dinner.
As these three wines demonstrate, wine production in Italy is still very much a family affair.
As vineyards pass from one generation to the next, each reinvigorates the industry with fresh ideas, energy and passion, creating a sector that is vibrant and innovative, but profoundly respectful of the traditions and practices of the past.
Nestled between the Tyrrhenian and Ionian Seas, Basilicata is a mountainous region, rich in nature, art, history and culture. Thanks in no small part to the designation of Matera as the European Capital of Culture 2019, Basilicata is now emerging as an increasingly popular holiday destination. In fact, the New York Times ranked Basilicata third in its list of "52 Places to Go in 2018", describing it as "Italy’s best-kept secret".
The ancient cave dwellings in Matera's historical quarter, the famous Sassi, became a UNESCO World Heritage Site in 1993. In recent years, the biblical landscape and and unique unspoiled architecture of Matera has made it a popular choice for Hollywood film crews. The Passion of the Christ, The Young Messiah and the Ben-Hur remake were all film in the historic town.
Monte Vulture, the extinct prehistoric volcano and the hilly territory that surrounds it produces some of the best wines in southern Italy. While the historic villages of Barile, Venosa, Melfi and Ripacandida date back to days of ancient Greece, it is the volcanic soil and varied climate that gives the wine of Basilicata its distinctive character and quality.
Aglianico is perhaps the best known wine of Basilicata. The Aglianico del Vulture "Superiore" was designated DOCG ("Denominazione di origine controllata e garantita") in 2010, one of just 74 Italian wines to have achieved this prestigious status.
There are three other important wines from Basilicata region which bear the DOC ("Denominazione di origine controllata") designation. These are the Terre dell'Alta Val d'Agri, available in red, red reserve and Rosè varieties, the Matera, which takes its name from the ancient cave town, and the Grottino di Roccanova, named after the caves where the wine is traditionally aged.
At Vinitaly 2019, I was fortunate enough to sample a variety of wines from this intriguing region.
Arcidiaconata 2014, Aglianico del Vulture (DOC), Azienda Agricola Radino
The Radino family was already a well established olive oil producer when they turned their attention to wine in the 1970s. Surrounded by genista, almond and olive trees, the vines on the terraced slopes of Mount Vulture are now about 40 years old. The grapes are harvested by hand at the end of October and the resulting wine is then maturated in small oak barrels for at least 18 months.
Bright ruby red in colour, with hints of ripe red fruit, spices and liquorice, Arcidiaconata is pleasant and fresh, with a slightly tannic aftertaste. It's a typical Aglianico del Vulture - robust, smooth and well-balanced. Would go nicely with salami and mature cheese.
The Radino family also runs a truly unique hotel, il Palazzotto Residence and Winery, carved into the rocks of the historic Sassi di Matera
Iosaphat 2015, Matera Dop Primitivo, Società Agricola Ditaranto srl
The Ditaranto winery is located in the Bradano valley, overlooking the Ancient Greek colony of Metaponto and the Gulf of Taranto beyond.
Iosaphat is a Matera Dop Primitivo. When I saw the label, I mistook the abbots scythe for a massive pipe! I was soon corrected. Matured in French oak for 12 months, it is a ruby red colour, with just a glimmer of violet. Dry, full and well-balanced, almost velvety. Perfect with your Sunday roast.
Calaturi 2013, Aglianico del Vulture (DOCG), Tenuta i Gelsi
Another strong, powerful Aglianico, this time from Tenuta I Gelsi, a winery that was established in 2003 by Pasquale Bafunno and Ruggiero Potito. The vineyards extend for approximately 10 hectares, mainly in Rionero in the northern interior of the region, at a height ranging from 400 to 600 metres. The wine is matured in Slavonian oak for 24 months followed by a further 24 months in the bottle.
A beautiful bright ruby red colour, with distinct purplish shades. On the nose, red cherry, balsamic vinegar and a hint of vanilla. Smooth, light tannins and a long, harmonious finish. Perfect with cheese or to wash down some red meat.
A lively crossing
After the reckless hedonism of Ibiza and the indulgent serenity of Sicily (during which I explored the notorious mafia town of Corleone), Islay was the third and final stop on my summer island-hopping itinerary.
We took the 6pm ferry from Kennacraig to Port Ellen and, after a lively crossing, we were soon making our way towards the cottage at Ardbeg that would be our base for our short stay on the island. For a whisky enthusiast like me, there can be few more exhilarating journeys than that ten minute drive from Port Ellen to Ardbeg, as we passed by the world renowned distilleries of Laphroig and Lagavulin, before arriving at our cottage, conveniently located just around the corner from the distillery at Ardbeg.
A calamity at sea?
The windswept island of Islay lies between Scotland's rugged west coast and the mighty Atlantic ocean. From nomadic hunter-gatherers to Celtic kings, Norse invaders to the ancient Lords of the Isles, these islands and their tempestuous waters have known more than their fair share of drama, heroism and tragedy.
I was vaguely aware that some maritime calamity had befallen these islands during the Great War but, until my visit this summer, was completely ignorant of the precise details.
In fact, as I soon learned, disaster had struck Islay not once, but twice, with the tragic loss of nearly 700 souls, most of them American infantrymen.
But what on earth where all these American troops doing in the waters of Islay? And what happened here that resulted in such a catastrophic loss of life?
On 20 June 1914, Archduke Franz Ferdinand, the heir to the throne of Austria-Hungary, and his wife, Sophie, Duchess of Hohenberg, were shot and killed in Sarajevo, the capital of the province of Bosnia-Herzogovina. At first it seemed that the assassination was just an isolated act of localised terrorism. Few could have foreseen that it would trigger a chain of events that, just a few short months later, would result in the United Kingdom declaring war on Germany.
On 2 November, as the conflict intensified, the United Kingdom, in the hope of restricting the maritime supply of goods to the Central Powers, began a naval blockade of Germany. The blockade had a devastating impact on German supplies and morale. By December 1918, it was claimed that more than three-quarters of a million German civilians had died from starvation and disease. In response, Germany launched a campaign of unrestricted submarine warfare, with the objective of starving Britain out of the war.
America enters the fray
As a consequence of this unprecedented attack on merchant shipping, the United States, which for nearly 3 years had remained officially neutral, was finally drawn into the increasingly barbaric conflict.
Crossing the Atlantic
The Western Front, the brutal system of trenches which eventually stretched from the North Sea coast of Belgium southward across France, remained the main theatre of war. To reach the battlefront, American troops first had to cross the Atlantic.
American doughboys crossing the Atlantic endured appalling conditions in troopships that were unfit for purpose and terribly overcrowded. On top of winter storms, inadequate sanitation and a virulent flu virus, that would become known as Spanish flu and would be later be identified as the H1N1, the constant threat of the U-boat menace made the crossing a truly perilous undertaking. And that was all before these poor young lads, many of whom had never stepped foot on a boat before, had even reached battlefront.
Amongst the vessels requisitioned for the purposes of transporting American troops across the Atlantic were HMS Tuscania and HMS Oranto.
Onboard HMS Tuscania
Named after a picturesque Italian hillside town to the north of Rome, SS Tuscania had been a luxury liner of the Cunard Line but with the outbreak of war is refitted and put into service as a troopship.
On 24 January 1918, she sets sail from Hoboken, New Jersey, with 384 crew and 2,013 soldiers onboard. Three days later she joins a 12 ship convoy that is zig-zagging its way across the Atlantic towards Liverpool. On 4 February, the convoy is joined by eight British destroyers for the final, most treacherous part of the voyage, as they enter "the submarine zone" - the part of the crossing where the ocean narrows into the shipping channels that lead to Britain's west coast ports.
The following day, the convoy is just off the north coast of Ireland, preparing to make it's final manoeuvre towards Liverpool. Lurking just below the surface is UB-77, commanded by 29-year-old Kapitän Wilhelm Meyer. Just as those on board the Tuscania are catching their first glimpse of the rugged Scottish coastline, Meyer is preparing to attack. At 7.40 pm he fires two lethal seven-metre long G-7 torpedoes. Despite intense vigilance, Tuscania is caught off guard. With a devastating explosion, one of the torpedoes strikes her amidship, near the boiler room.
Under strict orders not to risk coming to the aid of a stricken ship, the rest of the convoy steams on towards Liverpool, leaving the Tuscania to meet its grim fate in the icy seas off Islay.
As the Tuscania is foundering off the remote and inhospitable rocks and cliffs of the Mull of Oa, rescue destroyers are dispatched from the mainland.
The evacuation of the ship is chaotic and confused. Those lucky enough to find lifeboats are picked up by the destroyers and naval trawlers. Royal Navy destroyer Mosquito manages to pull alongside the foundering Tuscania. It's a long-way down from the muster stations of the stricken ship to the plunging and rolling deck of the destroyer below, but some 300 officers and men manage to jump to safety. Another rescue ship, the Pigeon, then comes alongside the now badly listing troopship. Men slide down ropes to safety, but the escape isn't without its risks and several men perish as they jump from one ship to the other. In just 30 minutes, about 750 men and 14 officers have made it safely onboard the destroyer.
Those less fortunate are swept towards the treacherous sea cliffs of Islay. Somehow a few exhausted and frozen survivors manage to make it ashore alive.
Robert Morrison, a local farmer, wades out into the stormy waters up to his neck to rescue two men clinging on to a rock. He then climbs halfway up a 250 metre cliff to rescue another survivor. His act of bravery is not the only one that night. His sisters spend six hours baking scones to feed the exhausted and starving survivors. The remarkable effort of the people of Islay save the lives of many who would otherwise have died.
Many of the bodies of the drowned servicemen wash up on the shores of Islay and are buried there with as much dignity and honour as the remote rural community can muster. It is the biggest loss of American military lives in a single day since the Civil War with over 200 casualties. Hardy islanders wept in the streets as carts of bodies pass by. But worse is to come.
Eight months later, another troopship, HMS Otranto (like the Tuscania, it is named after a small coastal town in southern Italy), is en route from America to the battlefronts of Europe. During a terrible storm, hurricane force winds and forty foot waves - experienced seamen had seldom seen such conditions, Otranto is involved in a devastating collision with another ship and founders off the rocky western shores of Kilchoman. Despite the appalling conditions we witness probably the single most significant act of courage in the entire tragic episode.
"We shall go down together"
Lieutenant Francis W. Craven is in command of HMS Mounsey, a Glasgow-built 'M' class destroyer that has been dispatched to provide assistance. Craven has spent more than half of his 29 years at sea and is a highly respected commander. Despite 40-foot waves, 70-mile an hour winds and the precarious condition of the 12,000-ton Otranto, Craven signals to Captain Davidson, commander of the stricken ship, that he is coming alongside.
"Steer clear or you will lose your crew and your ship", the captain of the Otranto replies.
"I am coming alongside. If we go down, we shall go down together", comes Craven's blunt response.
Rearing and plunging in the mountainous waves, Craven somehow manages to manoeuvre his 896-ton destroyer alongside the heavily listing troopship. Ropes are thrown between the ships and soldiers are urged to jump for their lives. The order is given - "Abandon ship!" Soldiers face an agonising decision - jump or take their chances on board the sinking ship. Many mistime their jump and fall into the icy sea, others are crushed to death between the tossing ships. Those fortunate enough to land on rescue ship's deck suffer broken legs, arms and ribs.
Despite the dangers, 600 men make it alive onto the Mounsey, which is by now seriously overladen and badly damaged from the battering it has taken coming alongside the Otranto. Craven takes the fateful decision to pull away from the Otranto. Captain Davidson can be seen waving farewell from the deck, nearly 500 men remain on board with him. Their fate is sealed.
His bridge smashed, oil tanks punctured, boiler rooms flooded, upper deck decimated, both masts with the wireless and signalling gear swept away, boat laden with debris, water and frozen, injured, ill and exhausted survivors, the Mounsey limps towards the nearest port, Belfast.
The last hope for the Otranto is that she will be swept towards the wide open sand of Machair Bay.
It's not to be though as Otranto is cruelly swept towards the ragged rocky shoreline of the Rhinns of Islay, where she crashes against a submerged reef, the Botha na Cailleach. Her back is broken and her hull ripped asunder. For the remaining survivors on board the Otranto, it is a final fatal blow.
Nearly five hundred men are suddenly thrown into the water. For the sick and the injured it means instant death. From here only twenty-one will make it ashore alive, two of those, despite the best efforts of the islanders, will die of their injuries.
A heroic rescue
Once again, local farmers and fisherman perform remarkable feats of heroism. Despite the appalling conditions, two teenage brothers, Donald and John McPhee, wade out into the wild surf off Kilchoman and, with the help of a shepherd's crook, save several survivors from certain drowning.
By the following morning, the Otranto had been completely demolished by the heavy seas. Wreckage and bodies wash up on the coastline for weeks to come. In all, 470 men lost their lives, including 358 American soldiers, 96 crewmen and 6 French fishermen.
Len Wilson's remarkable account of these events, The Drowned and the Saved, When War Came to the Hebrides, is available to buy here.
A final thought
Towards the end of the Second World War, my grandfather, who was from Coventry, served in the Far East on board HMS Loch Gorm.
In the late 1970s, his daughter moved to Glasgow, and he spent numerous summers touring Scotland in search of the elusive loch after which his frigate was named.
On our way to the Kilchoman Military Cemetery, where 73 sailors and marines of HMS Otranto are buried, we found Loch Gorm.
We stopped for a few moments to remember my granddad. He would have loved it here. A navy veteran, with a lifelong affinity for the ocean, he loved Scotland - the drama of its landscape, the hospitality of its public houses, the warmth of its people. He would have understood the sacrifice, bravery and courage of those young men who travelled across an ocean to fight in a war. And then, like me, he would have gone for a quiet pint.
Cool sites, cool wines was the theme for this tasting hosted by the Wine & Spirit Education Trust (WSET) on Sunday afternoon and, I have to confess, I thought it was going to be an event about websites. Cool websites.
For those of you not familiar with it's work, WSET is a British organisation which offers courses and exams in the field of wine and spirits. Founded in 1969, it is generally regarded as one of the world's leading providers of wine education. I was introduced to WSET's systematic approach to wine tasting at last year's Vinitaly and I recently completed the Level 1 Award in Wines, a pleasurable hands-on introduction to the world of wine, hosted in the foothills of Valpolicella.
So, I was really looking forward to this event about wine and the world wide web in the vibrant international pavilion of Vinitaly 2018.
Of course, the event wasn't about the world wide web at all.
It was about climatic conditions. And the enological impact of these climatic conditions on wine production.
Well, how was I to know?
Climate is, of course, a fundamental variable when it comes to wine production.
When you think of the great wine producing regions, we generally think of warm, sunny places like Tuscany, Spain, southern California, Australia and South Africa. But there are, of course, some notably cooler regions where great wine is produced. These include Champagne in northern France and the great wines of the Loire Valley and northern California, Argentina and the German Rhineland.
Grapes that cope well in cooler climates include Sauvignon Blanc, Chardonnay, Pinot Gris, Riesling and Solaris. White wines from cool climates tend to have higher acidity, more lemon-lime aromas, and are usually lower alcohol and lighter bodied.
WSETs Cool sites, cool wines tasting explored some fantastic wines from these regions. First up was a delightful Muscadet from the Loire Valley.
Comte Leloup du Château de Chasseloir
Muscadet Sèvre-et-Maine sur Lie,
Cuvée des Ceps Centenaires 2014
Some of the vines at Château de Chasseloir are centuries old and, while the name doesn't exactly roll off the tongue, this fine Muscadet from the Loire region was a great way to start the day! Fresh but complex, it has a slight salty tang. Green apples, mouth-tingling acidity, light-bodied, well-balanced, ideal with seafood.
Quartet Anderson Valley Brut, Roederer Estates NV
This sparkling Californian wine from the Anderson Valley in Mendocino County belongs to Roederer Estates, the famous French Champagne producer. A hundred miles to the north of San Francisco, the climate here is tempered by cool marine air. Anderson Valley enjoys warms summer days, but cool evenings.
Reminiscent of Champagne, this Brut is a blend of 70% chardonnay and 30% pinot noir.
High acidity, medium body, long-finish, floral with a clear hint of pineapple.
Colome Torrontes 2017
Torrontes is the signature white wine of Argentina and this one comes from the highest vineyard in the world, an astonishing 3,111 metres above sea-level. The vineyards of Calchaquí Valley in northwestern Argentina are also amongst the oldest in Argentina. In fact, founded in 1831, Colome is Argentina's oldest winery.
Light and refreshing, with a clear twang of rose petals and orange. Great as early summer aperitivo or with a simple starter.
Kaseler Nies'chen Riesling Kabinett, von Kesselstatt, Ruwer 2015
A tasty Riesling from the steep Nies'chen slope that overlooks the picturesque village of Kasel in the German Rhineland. Complex flavours of apricot and peach with a twist of lemon, red fruit and stewed apples, this was a great wine to conclude the tasting a really interesting tasting.
The future for cool climate wines
A recent study has found that climate change will dramatically impact many of the most famous wine-producing regions in the world. The study concluded that Europe will be the main victim of the negative effects of global warming, with an expected drop in production of 85 per cent in the areas bordering the Mediterranean Sea, such as the Italian Tuscan and the French Bordeaux regions.
In fact, with wine production already becoming viable in places like the south of England, the Netherlands and even Denmark and Sweden, we are already seeing the impact of climate change on the wine industry.
So, while this tasting wasn't exactly what I was expecting, it did deliver an important message about the impact of climate change and the future of wine production.
And the wine wasn't too bad either!
After a damp few days spent crabbing, the sun was shining as we made our way towards the pier at Tayvallich, the starting point for our trip to Jura.
The bay (Loch a Bhealaich) was as still as a millpond and we were looking forward to a smooth crossing along Loch Sween, across the Sound of Jura to Craighouse.
The Jura Passenger Ferry provides a daily service between Tayvallich and Jura. It's a popular summer service, so it's advisable to book in advance. The ferry's deep hull, with seating for 12 passengers, and wrap around windows, make for a comfortable and enjoyable crossing, with great views of the passing landscape, wildlife and historical sites, which include Castle Sween, one of the earliest stone castles built in Scotland, and Stevenson's Skervuile Lighthouse, just outside Lowlandman's Bay.
Part of the Inner Hebrides archipelago, Jura is an inhospitable, mountainous island, largely covered by vast areas of peat land. Perhaps unsurprisingly the island is extremely sparsely populated. The main centre of population is the village of Craighouse on the east coast of the island. Craighouse is home to the Jura distillery as well as a number of shops, the island's only hotel and church.
Of course, you can't go to Jura and not sample the local liquor. After a brisk walk along the coastline we return to the distillery for a short tour of the facilities. Unfortunately there is no distillation taking place today, but the massive copper stills still exude the intoxicating foamy wort that they contained. Compared to the sterile cleanliness of other distilleries I've visited, the Jura distillery is delightfully unwashed - there is even a family of swallows nesting in the spirit tank warehouse.
After a wee dram we retire to the hotel for a delightful lunch in the company of another family visiting the island from Italy!
Well fed and watered, the late afternoon boat trip back to Tayvallich is a relaxing affair. With the light breeze, quiet buzz of the engine and gently undulating waves, it isn't long before everyone (including the skipper) is nodding off.
A final thought.
In 1946, following the death of his wife, a 42 year-old writer named Eric Blair came to Jura in search of some peace and quiet in which to write a book. Tall, gaunt and sad looking, he pretty much kept himself to himself, despite suffering some serious bouts of ill-health. He lived in a remote farmhouse called Barnhill on the north of the island. His next-door neighbour lived 6 miles away. By and large, he lived off the land, farming, fishing and shooting the occasional rabbit. Visitors to the farm would hear him pounding away at his typewriter in the upstairs bedroom.
He finally finished writing his book in 1948, but was soon forced by ill-health to leave the island. He died in 1950.
He came upon the title of his book by inverting the last two numbers of the year in which it was completed. It was a huge success, spawning concepts such as Big Brother, doublethink, thoughtcrime, Newspeak, Room 101 and, of course, that much used adjective, Orwellian.
The reclusive writer is better known by his pen-name George Orwell.
Tasting notes - Jura Prophecy
A smooth, easy-drinking, nicely peated little number, the ideal companion for mulling over Orwell's dystopian society.
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A short collect of reflections on family life in locked down Italy
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